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69th edition
. October 18-26, 2024
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68th edition
FILMS
FILMS OF THE 68TH EDITION
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Meeting Point Feature Films
Meeting Point Short Films
Meeting Point – The Night of the Spanish Short Film
Time Of History
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Memory and Utopia
Alchemies
Guest Country: India
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Nathalie Baye
Blanca Portillo
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A journey through the past
Previous editions
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Honored
Juries
Posters
Magazine
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Menu
The Festival
Introduction
Sponsors
Venues
Sections
Awards
Film registration
Regulations
Advertising Spaces
68th edition
FILMS
FILMS OF THE 68TH EDITION
Official Section
Official Section Feature Films
Official Section Short Films
Meeting Point
Meeting Point Feature Films
Meeting Point Short Films
Meeting Point – The Night of the Spanish Short Film
Time Of History
Time Of History Feature Films
Time Of History Short Films
Memory and Utopia
Alchemies
Guest Country: India
Special Screenings
European Film Academy
Education
Miniminci
Young Seminci
Cinephile Window
Gourmet Cinema
Castilla y León Cinema
Castilla y León Feature Films
Castilla y León Short Films
Quercus
AWARDS
JURIES
HOMAGES
European Film Academy
Nathalie Baye
Blanca Portillo
Charlotte Rampling
Cristina García Rodero
Kiti Mánver
Activities
Activities
SEMINCI Playroom: The Red Balloon
Press
News
Press Accreditation
Press releases
Download area – Virtual Press Box
Press contact
Newssletter
Industry
MERCI
Europa Cinemas
Castilla y León New Talent / Open ECAM Award
Film heritage in the 21st century
Professional Accreditations
History
A journey through the past
Previous editions
The awards
Laborum / Golden Spikes
Honored
Juries
Posters
Magazine
Publications catalog
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ES
Official Section
2022 – 67th Edition
Charlotte Vandermeersch: “Le otto montagne shows how life always pushes you forward and you can’t go back”
Monday 24 October, 2022
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2022 – 67th Edition
Jerzy Skolimowski, director of Eo: “We need new cinematic narrative forms”
Sunday 23 October, 2022
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Official Section
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2022 – 67th Edition
Mikhäel Hers: "I tried to restore the rhythm of life in the film"
Sunday 23 October, 2022
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2022 – 67th Edition
No mires a los ojos opens the 67th Seminci with its adaptation of the universe of Juan José Millás: “You have improved the novel”.
Saturday 22 October, 2022
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2022 – 67th Edition
“Penélope is the archetype of the ideal woman”.
Saturday 22 October, 2022
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2022 – 67th Edition
Master Gardener, by Paul Schrader, will close the 67th edition of the Valladolid International Film Festival
Thursday 6 October, 2022
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2022 – 67th Edition
Vasil, Avelina Prat’s feature debut, will be the second Spanish film in competition in the Official Section of the 67th Seminci
Tuesday 4 October, 2022
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2022 – 67th Edition
The most anticipated titles in contemporary auteur film-making to be premiered in the Official Section of Seminci
Wednesday 28 September, 2022
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2022 – 67th Edition
Jaime Chávarri will compete for the Golden Spike with “La Manzana de Oro”, his first feature-length film in 17 years
Tuesday 20 September, 2022
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Meeting Point
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Time of History
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2022 – 67th Edition
Félix Viscarret’s “No mires a los ojos” to open the 67 edition of Seminci
Tuesday 20 September, 2022
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2021 – 66th Edition
Seminci will screen this Sunday, October 31, several of the award-winning films in the 66th edition
Saturday 30 October, 2021
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66th Seminci
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2021 – 66th Edition
Mehta: “In reviewing Funny Boy, I realized that the story hadn’t gone out of fashion because it’s about prejudice and discrimination.”
Saturday 30 October, 2021
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66th Seminci
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2021 – 66th Edition
Edwin: “Being a man in the context of a military regime implies conforming to a simplification of chavinist models”
Saturday 30 October, 2021
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66th Seminci
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2021 – 66th Edition
Carlos Saura: “Every film is an experience into the unknown”
Saturday 30 October, 2021
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66th Seminci
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2021 – 66th Edition
Silvan Zürcher: “Writing the script of ‘Das Mädchen und die Spinne’ [The Girl and the Spider] was a poetic process”
Friday 29 October, 2021
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66th Seminci
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2021 – 66th Edition
Nathalie Álvarez Mesén: “Clara Sola is a film of magical realism”
Friday 29 October, 2021
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66th Seminci
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2021 – 66th Edition
Paula Hernández: “I really wanted to shoot with two actresses like Rita Cortese and Valeria Lois”
Friday 29 October, 2021
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66th Seminci
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2021 – 66th Edition
Baillif: “I wanted to talk about foster homes, child abuse, and tell real stories”
Friday 29 October, 2021
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66th Seminci
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2021 – 66th Edition
Fred Baillif: “Foster homes never work like a family”
Thursday 28 October, 2021
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66th Seminci
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Official Section
2021 – 66th Edition
Kuosmanen: “Film is a challenge in itself”
Thursday 28 October, 2021
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66th Seminci
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Official Section
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Basholli: “In real life what happened in Kosovo was much harsher than what you actually see in ‘Hive’”
Wednesday 27 October, 2021
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66th Seminci
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2021 – 66th Edition
Leyla Bouzid: “I hope my film will help young people discover ancient Arabic literatura”
Wednesday 27 October, 2021
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66th Seminci
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2021 – 66th Edition
Sanaeeha and Moghaddam: “We opened archives to make the film as real as possible about what happened and is still happening in Iran”
Wednesday 27 October, 2021
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66th Seminci
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2021 – 66th Edition
‘Huda’s Salon’, the film that started with actresses
Wednesday 27 October, 2021
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66th Seminci
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2021 – 66th Edition
Neus Ballús: “Sis Dies Corrents [Six Ordinary Days] is a film about the diversity of homes and families in our country”
Wednesday 27 October, 2021
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66th Seminci
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2021 – 66th Edition
Panahi Seeks to Convey Iran’s Migratory Flight to the World in Jadde Khaki [Hit the Road]
Tuesday 26 October, 2021
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66th Seminci
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2021 – 66th Edition
Guédiguian: “To fight fascism we must better understand our history”
Tuesday 26 October, 2021
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66th Seminci
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2021 – 66th Edition
Helena de Llanos: “It’s good that Viaje a Alguna Parte [A Journey Somewhere] is so unclassifiable”
Monday 25 October, 2021
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66th Seminci
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2021 – 66th Edition
Pan Nalin, from humble self-taught boy obsessed with trapping light, to filmmaker who pays homage to cinema
Sunday 24 October, 2021
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66th Seminci
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Amir Jadidi: «With Asghar Farhadi you learn cinema, but above all humanity»
Sunday 24 October, 2021
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66th Seminci
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